Comedy and tragedy are two sides of the same coin, and few films manage to strike a perfect balance between both. In Malayalam cinema, a new genre-bending attempt has been made with “Vyasana Sametham Bandhu Mithradhikal”, a film that dares to mix death and laughter an unusual but intriguing combination. With a setting rooted in the grief of a funeral but a narrative laced with biting humor and eccentric characters, the film offers a unique experience. After a successful theatrical run that garnered praise from audiences and critics alike, the film is now gearing up for its OTT premiere on August 14, 2025, exclusively on Manorama Max.
Vyasana Sametham Bandhu Mithradhikal OTT Release Date
Vyasana Sametham Bandhu Mithradhikal is all set to be premiered on 14 August 2025 on Manorama Max.
The title itself “Vyasana Sametham Bandhu Mithradhikal” roughly translates to “Relatives and Friends with Sorrows Included.” This aptly sets the tone for what unfolds in the movie.
It’s not a morbid take on death, but rather a dark comedy that explores how people behave when tragedy strikes, especially when family dynamics, past grudges, and suppressed emotions all converge in the aftermath of someone’s passing.
Malayalam cinema has a long-standing tradition of exploring deep human emotions and cultural realities. But very few films have ventured into the uncomfortable zone of finding humor in funerals, especially without being disrespectful or insincere.
After delighting audiences in theatres, “Vyasana Sametham Bandhu Mithradhikal” is all set to release on OTT. The film will premiere on Manorama Max on August 14, 2025, just a day before Independence Day perfect timing for viewers looking for something heartfelt and humorous over the holiday weekend.
When and Where to Watch Vyasana Sametham Bandhu Mithradhikal
You can watch this comedy drama movie on 14 August 2025 on Manorama Max.
Manorama Max, known for curating quality Malayalam content, is the ideal platform for a film like this, ensuring that it reaches a wide and appreciative audience both in Kerala and among the Malayali diaspora. “Vyasana Sametham Bandhu Mithradhikal” is a shining example of Malayalam cinema’s ability to break conventions and find humor in sorrow without losing empathy.
It’s a smart, emotional, and often hilarious film that uses death not as a plot end, but as a starting point to explore human relationships. With its OTT release on Manorama Max on August 14, 2025, this film is poised to win even more hearts.
Vyasana Sametham Bandhu Mithradhikal Movie Story
The story kicks off with the sudden demise of an elderly patriarch in a small Kerala village. What should have been a somber, quiet gathering soon turns into a circus of relatives, neighbors, and forgotten friends each bringing their own agendas, complaints, and unresolved issues.
As family members rush back to attend the funeral, old tensions resurface. From fights over property and unspoken family rifts to loud disagreements about rituals and blame games about caretaking responsibilities the atmosphere is anything but peaceful.
Amid all this chaos, humorous incidents unfold, exposing the hypocrisy, melodrama, and the performative mourning that sometimes accompany traditional funerals. But what makes the film stand out is its heart amid the laughs and absurdities, there are moments of real grief, reconciliation, and emotional depth.
The screenplay ensures that each character feels authentic, with layers of emotion hidden beneath their eccentric behavior. The film’s strength lies in showing how even in moments of sorrow, life and humor refuse to be silenced.
Cast and Crew of Vyasana Sametham Bandhu Mithradhikal Movie
Emerging as one of the most promising young actors in Malayalam cinema, Anaswara plays the role of a spirited granddaughter who brings a refreshing perspective to the unfolding drama. Her character is the emotional compass of the story, offering both sharp observations and genuine empathy.
Veteran actor Baiju is in fine form as the chaotic and controlling eldest son, trying to maintain order while simultaneously stirring the pot. His comedic timing and grounded performance are crucial in balancing the absurdity with realism.
As the family matriarch, Mallika Sukumaran delivers a strong performance full of subtle emotion, irony, and occasional sarcasm. She represents the generational weight and quiet wisdom that cuts through the noise.
Joemon Jyothir, Siju Sunny, Azeez Nedumangad, Noby Marcose, and Aswathy Chand Kishor, these actors, along with a few other supporting characters, round out the extended family and neighborhood ensemble. Each one brings a unique comedic flavor from the clueless cousin who live-streams the funeral to the overly religious uncle who insists on outdated rituals.
S. Vipin, who both wrote and directed the film, showcases a mature understanding of tone management, which is critical in a subject like this. He ensures that the humor never becomes distasteful, and the emotion never turns into melodrama. His script is peppered with sharp dialogues, cultural references, and satirical moments that highlight social hypocrisies without being preachy.
The film is backed by WBTS Productions Pvt Ltd and Shine Screens Cinema, with producers Vipin Das and Sahu Garapati investing in a unique and offbeat project. Their belief in the story has paid off with the film’s warm critical reception.
The visual tone of the film is both grounded and expressive. Rahim Aboobacker’s cinematography captures the cluttered chaos of a Kerala household during a funeral from tight interiors to outdoor crowds without losing visual clarity. His use of close-ups and natural lighting gives the film a lived-in, documentary-like feel at times.
Johnkutty’s editing is crisp and clever, ensuring that the narrative doesn’t lag despite the single-setting nature of the plot. Flashbacks and reaction shots are timed perfectly, aiding both the comic and emotional pacing of the film.
While the film doesn’t rely heavily on songs, Ankit Menon’s background score plays a crucial role in setting the mood. From somber strings during emotional scenes to playful riffs that underline the absurd moments, the score is subtle yet effective.
