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The most successful franchise of the 20th century, with at least
] millions of dead around the world, it’s back – and with a new guise. After the resounding failure of “Social-Democracy” (2022), considered the “work of art” of the franchise that began with “Marxist Socialism” (1933) and “National Socialism” (1933), the producers decided to make a revolution (!) in the series, canceling successful useful innocents and betting on new faces full of diversity in what promises to be the biggest blockbuster of the 21st century: “Progressive Socialism”.
“Our story is based on an old argument by Gramsci. When I saw that, I was excited! I knew that there would be a success story. Foucault’s collaboration was also fundamental. I’m sure he’ll be nominated for an Oscar for Best Adapted Screenplay,” said K. Piroto, the legendary producer behind the “Socialism” franchise and author of the epics “Expulsion from Heaven,” “Tower of Babel,” “Machiavelli” and “French Revolution” – the production that forever changed the way of doing politics in the world.
] millions of dead around the world, it’s back – and with a new guise. After the resounding failure of “Social-Democracy” (2022), considered the “work of art” of the franchise that began with “Marxist Socialism” (1933) and “National Socialism” (1933), the producers decided to make a revolution (!) in the series, canceling successful useful innocents and betting on new faces full of diversity in what promises to be the biggest blockbuster of the 21st century: “Progressive Socialism”. “Our story is based on an old argument by Gramsci. When I saw that, I was excited! I knew that there would be a success story. Foucault’s collaboration was also fundamental. I’m sure he’ll be nominated for an Oscar for Best Adapted Screenplay,” said K. Piroto, the legendary producer behind the “Socialism” franchise and author of the epics “Expulsion from Heaven,” “Tower of Babel,” “Machiavelli” and “French Revolution” – the production that forever changed the way of doing politics in the world.
According to producer K. Piroto, who gave us this exclusive interview directly from his home in Belford Roxo, in Baixada Fluminense, the story of “Progressive Socialism” repeats some elements known to fans of the franchise, such as the search for utopian equality through violence as explicit as possible.
The novelty, according to K. Piroto, is due to the use of a new technology, called Diversity©, which he ordered from the famous Ideology Studios. “Thanks to advances in science, nowadays everything is much easier. In the days of “National Socialism” we had the radio, trains and Zyklon B, but today we have the Internet and cancel culture. So everything is much cleaner and more subtle. The fans will love it!”, predicts the always optimistic K. Piroto, creating suspense, but not too much.
There is still a lot of speculation about the stars who will star in “Progressive Socialism”. One sure name, however, is that of Canadian Prime Minister Justin Trudeau. “For now, we are also working on the search for an L, a G, a B, a T, a Q and a + capable of telling this beautiful story of intolerance disguised as tolerance”, says K. Piroto, putting his hands to his mouth. as soon as you realize you gave a spoiler of what’s to come. Asked if it is possible to have a Brazilian, Brazilian or Brazilian in the cast, K. Piroto says yes, for sure, but does not reveal names.
K. Piroto takes advantage of the relaxed moment in the interview to give more details about the production. Details that this journal publishes with total exclusivity. For example, anyone who thought that after the dramatic finale of “Marxist Socialism” Communism had died buried under the rubble of the Berlin Wall will be in for a surprise right in the opening scenes of “Progressive Socialism”. “Communism is our big star. Our great reference. I couldn’t leave him out of this one”, says K. Piroto. “The script is still being finalized, but the idea is, at the beginning of the story, to show Communism disguised as the Common Good. With that, I hope to attract a younger audience”, says the millennial producer.
)K. Piroto, however, rules out using Swastika, the star of the controversial “National Socialism”. “Times are different. And we know that the Swastika is not in a good phase”, he says. The idea is to use the ideals and values that marked “National Socialism”, but employing less stigmatized symbols. “There are many possibilities. Perhaps the Carbon Footprint could make a romantic pairing with Communism. Why not? What counts is creativity”, says K. Piroto.
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At ease in your mansion, in the At the end of the interview, an animated K. Piroto says, with his unmistakable accent, that he has a revelation to make to Brazilians. “I’m working with Embrafilme partners on a totally green-yellow production”, he says, and then bursts out laughing. “I lie, oh, of course I lie. For am I not the King of Lies? The truth is that the production is red too”, he says, showing his fangs.
With the provisional title of “A Vingança da Jararaca”, K. Piroto’s hope is to cause a lot of destruction and death around here, in a version that would condense the narratives of “Marxist Socialism”, “National Socialism” and even “ Progressive Socialism”. The partnership with Petê Produções is taken for granted. “As far as I know, our legion of lawyers even managed to obtain funding via the Rouanet Law”, says an excited K. Piroto. Unfortunately, it wouldn’t be his first successful production here.